Ars Electronica Festival 2017

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A robot stops walking in response to a barrier (hand) placed in its path at ARS Electronica Festival 2017.

Growing up as a kid, the question was always whether you went into science or art. It was this weird dichotomy in learning, where there was the precision and quantitative of math, biology, chemistry, and physics, and then the interpretative and creative of art, music, language, and history. Two ways to understand the world standing in opposite sides and never mixing, like students at their first middle school dance.

I understand now that this separation is artificial and that the skills needed in each field intermingle – there is creativity in science, and precision in art – but the world seems to still cling to that science-art dichotomy, where ne’er the two spheres shall meet. After all, we don’t often talk of the exacting quantitative precision of the artist’s work, nor do we speak of the creative interpretations of the biologist’s findings. But why? Why don’t we more often unite these two disparate worlds, or acknowledge that the separation is artificial and never really existed at all?

For me and anyone who has ever had this thought, Ars Electronica is the dreamland you never knew existed, where the artificial barriers between art and science dissolve. It’s a year-round museum in Linz, Austria, but every fall Ars Electronica hosts a festival showcasing the creations that arise from the fusion of art and science. Here science and technology create art and history, and art and history build science and technology. From synchronized drone aerobatics to temporary electro-conductive arm tattoos that control your smartphone, the ARS Electronica Festival is four days of wonder, thought, and inspiration. Here’s what we captured in our visit*:

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Repurposing of industrial robot arms for shadowplay art.
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Doge overlooks a cryptocurrency gathering.
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The LightSail II in the Linz Cathedral, an interactive mesh-and-PVC pipe construction the size of a whale that responds to touch by varying sounds and projected images.
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The crowd in the basement of POST CITY for the Ars Electronica Festival Concert.
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A robot constructs a three-towered sculpture for nothing but concrete chips and string, while its creators look on from the right.
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RFID-reflective clothing, meant to protect your identity in the wireless future.
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A demonstration of DuoSkinDuoSkin, conductive temporary tattoos that enable you to control your smartphone or other electronic devices. Here, a man demonstrates skipping songs and changing the volume on a phone’s music playlist.
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A man reloads markers on an industrial robot arm repurposed for sketching.
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A woman interacts with a display that explores the ability of machines to read and respond to human needs.
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An artist explains his interactive darkroom-and-flashlight display.
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Visitors watch and film a synchronized drone show.
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Attendees at the festival’s seminars, which explore everything from the ethics and law of AI to art created from AI learning.

And a couple of videos:

It can be a little overwhelming to visit the ARS Electronica Festival for the first time, so here are some useful tips to help you get around:

  1. Trust but verify – we sometimes got mixed answers from volunteers as to where/when things were happening. Ask a few people to get a good idea of when/where the big events are.
  2. English speakers welcome – Many of the most fascinating events are in Austrian, but they offer free real-time translations! Grab a pair of headphones on the way into the room, or ask a volunteer on hand if they have any.
  3. Don’t buy a metro pass – Your ARS pass includes free travel on some of the city’s trams, at least from the Linz Train Station to the ARS Electronica Museum and back. (Applicable to full festival pass, not sure about 1-day passes)
  4. The ARS Electronica Concert is amazing – The concert runs late into the night and you might be tempted to skip it if you’re relying on the train to get home. Go for at least a few hours because it’s amazing and absolutely worth it. Tickets are free with the 4-day pass and can be picked up at the ticketing/info booth area in Post City.
  5. Leave time to explore – While most of the events are focused in Post City, there are events throughout Linz for ARS Electronica. Leave time to see those and to wander around Post City without any direction, because stumbling onto something unexpectedly can be thought-transforming.

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* I understand copyright law is a bit more strict in Europe, so if you’re an artist or copyright owner whose work is listed above and want it taken down, please email me.

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