The look of Venice is fairly unique. Not too many places in the world can boast canals paired with Renaissance architecture. It’s a good fit, and wonderful for taking pictures and drawing. A fun fact we learned : most of the people drawing at any given time are not art students from one of the nearby colleges, but are tourists. It’s pretty fun to join them too!
While there are plenty of famous scenes and views all around the city, we strayed a bit from the travelled path and took pictures of mostly anything that caught our eye.
There was no shortage of interesting views, even just out our hotel window.
I personally love the semi-planned stacking of buildings that look like they’ve grown from the water, huddle together in a very visually pleasing arrangement.
It’s hard to ignore the boat-lined tunnel canals – the only way to get to a lot of these doors and boats is to have someone else drop you off. There are many, many doors, that lead to a tiny dock and boat, or worse, drop straight out into the water. The best are private bridges – smaller versions of the canal-spanning bridges that lead to a single door.
Between the crowded living spaces spring up massive cathedrals. It’s an odd contrast.
One of the amazing and frustrating things about Venice is the constant haze. It comes from being warm and on the water, and it makes for some exciting and terrible photo conditions. During colder parts of the year the atmosphere is probably clearer and the photos come out crisper.
We really enjoyed getting lost and seeing the smaller details of the city. It’s easy to miss in light of the surrounding grandeur.
Walking is really the best thing to do. Every bridge, canal, and tiny alley offers a new and unexpected view.
Sometimes the alleys are extremely small. This one, we think, was meant for people. Notice the streetlamp in the center. Definitely not for the claustrophobic.
There are big life goals and small life goals. After we decided to come to Italy, and specifically Venice, I knew I had to recreate the View of the Grand Canal and the Dogana, by Bernando Bellotto. It’s one of the few paintings I know by name, and since seeing it at the Getty have wanted to see this view in person.
Of course, since we were here in person, there was no doubt we’d eventually see the Dogana up close. It’s fantastic in its size and detail.
Each one of the statues lining its parapet is a work of art unto itself, and the structure as a whole is breathtaking, especially in the low setting sun when its lines and minute details are thrown into sharp relief.